I finished this one with a few coats of glaze using Manganese Blue (nicely transparent) and Neo-megilp (medium) to even out the color. I think this might be a good way to unify your color harmony.
Another knife painting. I found it hard but beneficial to reign in the urge to add more color here, especially the warm tones. I just wanted to hint at the approach of better weather. Thank you to Valerie Tarantino for the beautiful photo reference for this one. The title was inspired by the Captain John Smith poem, "The Sea Mark".
More than 95% of this one was done with painting knives...a great way to get looser with the whole process. You have to be a little more willing to "fail", which is a learning experience on its own.
The photo reference I used for this painting was taken by Mike Blanchard, a gifted and generous photographer based in Martha's Vineyard and Maine. He often donates proceeds from some of his work to benefit various alcohol and drug recovery programs. I named this painting in honor of those who have fought for their own personal freedom from addiction. Please check out his website: Mike Blanchard Photography
The frame is 3 1/4" black with gold liner. Not the best shot I must admit, but gives you some idea of the framing.
I've been wanting to do more painting with palette knives. So when I was close to completing this rose 'un-abstracted' I decided to move in with a knife and take a chance. A few of my favorite artists paint this way, looser (than this) touches of unexpected color here and there. In Julie Ford Oliver's wonderful blog, she talks about repeating the color of the subject elsewhere in the painting. Check out Julie's work as well as the work of 2 of my other favorite artists...Barbara Flowers and Julia Klimova. There is so much inspiration out there!!
I love the quote I read that says, "In painting, value does all the work, but color takes the credit." In this painting I really only have two major values; a very dark 'dark' and a fairly light 'light.' Something you would see in the landscape just before the sun's rays emerge from the horizon.
I notice that what we think of as white objects (clouds, snow, flowers) rarely contain "pure white" paint. There are just a few strokes of pure white in this one This painting was donated to my wonderful local library.